Showing posts with label Development Tasks. Show all posts
Showing posts with label Development Tasks. Show all posts

Wednesday, March 12, 2008

Appraisal of a contemporary practice website


As a continuation of focus week work, I decided to consider the website of a landscape practice and the success with which they present themselves:


I found this practice through the directory on the LI's website, and while initially interested by what appeared to be a sharp website with plenty of effects, I soon realised that beauty was only skin deep. But what is the purpose of a landscape architect's website?

Well, to start with they are trying to reach an audience. This is how they attract possible clientele and it's how they present themselves as a company in what is currently one of the most important aspects of the business world: 'The Internet'. If anyone wants to know anything about the company, the website is where they will go. As such a website needs to portray the company in it's best possible light, and there are certain points that it must cover.

Obviously the basics need to be there: good formating, company profile, portfolio of works, contact details, a list of the services they provide, a mission statement, and a list of employees. These things should give a complete picture of a company, allowing people to understand what level of service they provide and their general work ethics and aspirations. The most important of these though, are the format of the website (the first impression), and the portfolio of works, which people will peruse to get an idea of quality in concept, design and build.

Looking at the website of Barnes Walker, my interest was initially captured by the glossy presentation, which charms you with James Bond style moving graphics and makes you feel as if you are entering a website with a difference. This company appears to offer you a technologically advanced solution, and that they might bring something of their sharp style to your project. It does seem to miss out on personality and design though and feels a bit clinical in nature, which is something that follows through the entire website.

Their first and most important link is the company portfolio, and it is here that they have begun to show real deficiency. Again surrounded by lush graphics, they present images of their work - and what a poor collection. If they wanted to back up their techy website with good work, then they could have at least made the most of their work with a talented professional photographer. As it is they seem to have taken the photos with a low resolution office camera, and this really shows their work to poor effect. Then on top of this the manner in which the images change on the screen plays havoc with your eyes as they blur slowly into focus. They also have a very limited number of work type examples and the examples they do have appear very mainstream. Of course this is partly because of the lack of photographic skill and much could be done to improve this. The images are also very small and don't give you a very good scope of understanding.

Under profile you will find both the company profile and their list of services, which extend far greater than landscape architecture, but none of which are mentioned further in this website. Also the graphic qualities change again on this page and give us an abstract and incomprehensible image that provides a backdrop to a rather boring summary, offering no more information than is supplied on their company profile in the LI directory. Their news page is exactly what you might expect and just gives some company status updates. The contact page is the same and offers the base line information, which is perfectly acceptable, but then they add another eye shuddering graphical gimmick. And finally, they complete the collection with a really good idea, a client membership area, that allows you to watch the progress of your project regularly updated.

Overall, I would say that they have the right idea with a good framework, but they really need to support their gimmicky site with some superb photographic material, both in the portfolio and throughout the site. Landscape really just isn't various shades of blue! They desperately need to expand their profile, maybe with images of work colleagues, which will give site visitors a feeling of personal connection with the team and also goes a long way to showing the team how much the boss values them and their work. And finally, they have a great idea with this work in progress page, but surely it would be an even better tool if everyone could view the progress on work sites. In a way doubling the portfolio by adding a side of their work that clients would appreciate knowing in advance.

I'm sure this is a perfectly good company, but considering that this is their most important way of portraying themselves in a modern world, they really could do better.

Tuesday, March 11, 2008

Best practice: writing critiques the right way


For this focus week, I was interested in developing my ability to analyse critically, and so I began by reading some discussion boards and on line tutor tips to see what they had to say on the topic.
I laughed when the first thing I read was what a student had said to their tutor. They said that it was dangerous to reveal their personal opinions to the tutor when criticising a theory because then the tutor would know what they really thought and might mark them more harshly for it. The tutor's response, was that in order to become a part of the free thinking world, a student has to bare their opinions to criticism in order to hone them and gain further experience.
People who know me, will laugh when I say that giving my opinion is not something I have trouble with! What I really need to conquer is overall structure, where I feel that I have previously been lacking in clear visualy supported evidence and continuity.
A summary of other tips I have read, I intend to exhibit in critical blogs during this week:
"The key is to develop an argument and then marshall supporting evidences"
"To make an argument and have the argument evaluated"
"A link between theoretical knowledge and reality"
"The purpose of the critical case study essay writing is to allocate the central issue of the problem, key decision makers, and to find an effective solution"
"Every idea you raise must be supported with the illustrative material such as examples, facts, and evidence"

Wednesday, December 12, 2007

An exploration of the diagram and its uses

In the spirit of all things practical and not very creative but never-the-less very useful, I have been endeavouring to master the process of conveying information diagrammatically. After recording a jumble of intense information from an interview I did for this semester's report, I then extracted the statistics that would most benefit from being presented diagrammatically. The next step was to decide which form of diagram would best convey the information. Then once this was done a careful editing process allowed for a simple but effective diagram, explicitly illustrating key points.


Wednesday, October 31, 2007

Model Module


As the first half of this November's focus week, I have chosen to concentrate on something that I haven't attempted since first year and the advent of my learning photoshop: Model making.
The last time I made a model, I found it to be an extremely laborious task, and although the results were good, not worth the time taken should I ever be working to a schedule. However, this time round I was in for a pleasant surprise, as I found that much of the hard work can be cancelled out by purchasing ready made items, such as trees. Then combining this with photoshop skills, and some good photography (all round creative thinking), it's not too hard to get some outstanding results. So here is the first of a series of model/photoshop creations for my current project: Shrubs Wood Barrow, a Neolithic oval barrow in Kent AONB woodland.


Monday, September 10, 2007

New stuff!

As per my Uni tutor's advice, and the purchasing of CS3 (which comes with a nifty DVD tutorial series), I have been learning some Illustrator skills this summer. Whilst at first there appeared to be an insurmountable difference between Photoshop and Illustrator, I discovered that apart from basic commands these programs were never, in fact, supposed to be the same. Their similarity lies more in their vast adaptability and user freindly interface. This is an enjoyable program to be using for all sorts of work. For instance: the image above is a logo I designed for a camping trip this summer. I feel confident that Illustrator is going to be of great use to me in the coming year and onwards.

Thursday, March 01, 2007

The unconveyable FLASH


In the spirit of continuing interest where all forms of expression via computer media are concerned, the last few days of this; my university focus week, have seen me attempting to learn animation free- trial-Flash-package style. While this has been fun it has certainly presented its own brand of challenge, something i was warned of by the laughter of my flash fluent freind, when i informed him of my intentions for the week. I have however been reasonably succesful and have graduated from an early stage animation of a bouncing ball to a photographic animation of my son playing with me. However attempting to attach it to this post on my blog, has been to run into a brick wall, but i have not given up trying and hopefully it should soon be viewable by all. WATCH THIS SPACE!

p.s
In the meantime here is a link to a website that sells examples of the kind of thing i am trying to achieve: www.bigshotmedia.com

Thursday, December 14, 2006

Landscape.is... Vocabulary development


A list of landscape terminology...
...would appear to be relevant to an ever expanding interest in landscape expressionism.

Animated
Animation
Aspect
Brown field
Client
Clientele
Contemporary
Context
Density
Detailing
Development
Distinctive
Diversity
Elevations
Expanses
Features
Finish
Function
Geometry
Green field
Habitat
Infrastructure
Innovation
Landforms
Layers
Levels
Locality
Materials
Modern
Mounding
Orientation
Participants
Private
Project
Prospect
Public
Qualities
Reclamation
Regeneration
Relate
Scape
Scheme
Scope
Sections
Site specific
Space
Strategies
Style
Stylised
Surfacing
Surroundings
Survey
Sustainability
Technical
Technique
Texture
Topography
Transformation
Undulations
Upkeep
Users
Value

Wednesday, December 13, 2006

Landscape.is... Development of perception


There are almost limitless numbers of ways for a subject to be viewed but if you want to learn something from it then often the best way is to look at it through the eyes of someone more experienced than yourself. Drawing is no different and it is often invaluable to the development of your drawing style to first study how great artists record similar subject material and attempt to emulate it in your own work. In so doing you will discover how well their methods work for you and begin to peice together your own. It is also often usefull to attempt to copy their work as this leads you by necessity to discover how they achieved the effects they have in their work and to develop your own variations of them.

Landscape.is... Development in Perspective


There are certain principals that need to be applied to the practicalities of illustrating larger subject material such as landscape. One of these is perspective, perspective allows a view to be interpreted literally, it allows the viewer of a perspective landscape drawing to view precisely what the artist saw as he was drawing and it was the dawning of a new era when it was invented as it changed the world of art from being two dimensional to three.

Landscape.is... Detailed development


Looking at a subject in great detail can be enlightening, as it aids you in understanding it's larger nature more thoroughly. Likewise drawing something in intricate detail allows skills of perception and interpretation to be developed, so that drawings of a larger nature can be informed by your understanding of the intricate detail of your subjects workings. Leonardo Da vinci was famed for precisely this, In fact he went to the lengths of dissecting corpses in order to better understand their anatomy and his illustrations of the human form clearly reflect his immense understanding of its movement.

Landscape.is... personal to development

Why are faces so hard to draw?! Maybe it's something to do with how we percieve things and what it is we focus on when looking at different types of new subjects. In the case of faces we are bound to carry some preconceptions on what a face should ideally look like. whatever the case I knew it wouldnt be easy as i've allways had difficulty with portraits and this one proved itself to be no different. This was one of four attempts to conquor different drawing subjects for a university focus week.